La poética de la alcapurria
Carlos Manuel Rivera
Carlos Manuel Rivera recorded audio narration on June 17, 2022, at his apartment in the Bronx in New York City.
“Sharpening with Guaguancó
Sharpening with Guaguancó
Alcapurria como yo.
Alcapurria como yo.
Alcapurria como yo.
With the Salsa
I’m coming on.
With the Salsa
I’m coming on
With the Salsa
I’m coming on
Alcapurria como yo.
Alcapurria como yo.
Alcapurria como yo
Transformando el guaguancó.
Transformando el guaguancó.
Transformando el guaguancó.
Alcapurria como yo.”
I’m not coming on
with measures
of verses
tampoco with structures
of rhythms.
My Poetic
shares with
Pedro.
Mickey.
Bimbo.
Tato.
Miguel.
My Poetic
is a long story
as Puerto Rican,
Nuyorican,
Post-Puerto Rican-American.
Since the Gringos Invasion my Epic was
Affirmation,
Nation,
Identity.
My journey
has been
an Accumulation
of souls,
ñame, yuca,
plátano y yautía.
Moviendo a las masas, avoiding
disintegration
and
recovering
La Historia.
This unknown
Historia
that you minimize.
It’s easy
to say
these Spics
do not belong
here
because
their English
is Broken.
These People
have a different Color. A different Accent.
A different Flavor.
Yes, Flavor
with all types,
all languages,
all races,
all abolengos.
One day
when the decision
to write,
and
to speak out
was done,
We settled
our Anger,
Misery,
Obituary
in your Historia.
La Poética
Es
de la
Alcapurria
mixed with
verduras
fritas
con manteca.
Sure is not
la manteca
you are thinking about.
But
let me tell you something, We are
Community.
We have
to express you
more than
this Historia.
Sí
With Alcapurria,
Pasteles,
and drinking
Coquito.
Sí
A Poetic
above.
Constructing,
complaining,
separating
our sorrows,
pains,
and ambiguities.
A Poetic
of Human
Peace.
When all the doors open
we stood up
and dwelled
a place
Un Nuyorican Poets Cafe where
we joined
with
Pedro.
Mickey.
Bimbo.
Tato.
Miguel.
Where
we joined
Cantos.
Beats.
Rhythm.
Poetry.
A Poetic
of Relation
con
El Mundo.
A Poetic
which
deletes
Roots
to be
with you.
A Poetic
of
Non-Sense
without
Simple Sound as you like
Rumba.
As you like
to dance
Salsa.
A Poetic
brings you
sentiment
for surviving, for fun,
for working,
for raising
a wealthy Family as you have done Yours.
A Poetic
based in
Icons
how mi Abuela me contó.
Icons
to rebuild,
to introduce
something
to my Children.
To reveal
something
to my Generation, to the Generation of my Grandson.
To have
a Puerto Rico
that
I’ve never seen.
Un Puerto Rico
de
Imaginación.
Un Puerto Rico
who
believes
tomorrow
será mejor.
Un Puerto Rico
who
creates
from here
Su Libertad.
My Freedom
is
Your Freedom.
My Fraternity
is
Your Fraternity.
My Equality
is
Your Equality.
A Free
Puerto Rico
as
Washington and Jefferson dreamt
for having
Your America.
Land of Opportunity
but
Division.
Poverty.
Hunger.
A Land
forever
Free and
Ascended
how
My Paradise
Island
is
and
America
Doesn’t
Want.
“Sharpening with Guaguancó Sharpening with Guaguancó Alcapurria como yo.
Alcapurria como yo.
Alcapurria como yo.
With the Salsa
I’m coming on.
With the Salsa
I’m coming on
With the Salsa
I’m coming on
Alcapurria como yo.
Alcapurria como yo.
Alcapurria como yo
Transformando el guaguancó.
Transformando el guaguancó. Transformando el guaguancó."
Carlos Manuel Rivera is a native Puerto Rican artist living in New York City. In his performance works, he combines poetry, acting, and visual art installation. For the last 14 years, he has been a Full Professor of Spanish at Bronx Community College, City University of New York. He won First Prize in the 2013 International Contest of the Puerto Rican Institute of Culture in the Essay category with the book So we don’t forget: Essays of interpretation of Puerto Rican marginal theater. Among his published books are: Popular Theater: The New Poor Theater of America by Pedro Santaliz (Gestos, 2005); Magical Non-Senses (Orbis Press, 2003); the recording of a CD of Spoken Words ASÍ MI NATION (2010); and Bululu. Perfume and Poison (Emerging Education, 2020).