Poem

La poética de la alcapurria

Carlos Manuel Rivera

Carlos Manuel Rivera recorded audio narration on June 17, 2022, at his apartment in the Bronx in New York City.

“Sharpening with Guaguancó  

Sharpening with Guaguancó  

Alcapurria como yo.  

Alcapurria como yo.  

Alcapurria como yo.  

With the Salsa 

I’m coming on.  

With the Salsa 

I’m coming on  

With the Salsa 

I’m coming on  

Alcapurria como yo.  

Alcapurria como yo.  

Alcapurria como yo  

Transformando el guaguancó.  

Transformando el guaguancó.  

Transformando el guaguancó.  

Alcapurria como yo.”  

I’m not coming on  

with measures 

 of verses 

tampoco with structures 

of rhythms.  

My Poetic 

shares with 

Pedro.  

Mickey.  

Bimbo.  

Tato.  

Miguel.  

My Poetic  

is a long story 

as Puerto Rican, 

Nuyorican,  

Post-Puerto Rican-American.

Since the Gringos Invasion  my Epic was  

Affirmation,  

Nation,  

Identity.  

My journey  

has been 

an Accumulation  

of souls,  

ñame, yuca,  

plátano y yautía.  

Moviendo a las masas, avoiding  

disintegration 

and  

recovering  

La Historia. 

This unknown  

Historia 

that you minimize.  

It’s easy 

to say 

these Spics 

do not belong  

here  

because 

their English 

is Broken.  

These People 

have a different Color.  A different Accent. 

A different Flavor. 

Yes, Flavor  

with all types,  

all languages,  

all races, 

all abolengos. 

One day 

when the decision  

to write,  

and  

to speak out  

was done,  

We settled 

our Anger,  

Misery,  

Obituary 

in your Historia.  

La Poética 

Es 

de la  

Alcapurria 

mixed with 

verduras  

fritas 

con manteca. 

Sure is not  

la manteca 

you are thinking about.  

But 

let me tell you something,  We are 

Community.  

We have  

to express you  

more than  

this Historia. 

Sí 

With Alcapurria,  

Pasteles,  

and drinking  

Coquito.  

Sí 

A Poetic 

above.  

Constructing, 

complaining,  

separating 

our sorrows,  

pains,  

and ambiguities.  

A Poetic 

of Human 

Peace. 

When all the doors  open  

we stood up  

and dwelled  

a place 

Un Nuyorican Poets Cafe  where 

we joined  

with 

Pedro.  

Mickey.  

Bimbo.  

Tato.  

Miguel.  

Where 

we joined  

Cantos.  

Beats.  

Rhythm.  

Poetry.  

A Poetic 

of Relation  

con  

El Mundo.  

A Poetic 

which 

deletes 

Roots  

to be  

with you. 

A Poetic 

of  

Non-Sense 

without  

Simple Sound  as you like  

Rumba. 

As you like  

to dance  

Salsa. 

A Poetic 

brings you  

sentiment 

for surviving,  for fun,  

for working,  

for raising  

a wealthy Family as you have done  Yours.  

A Poetic 

based in 

Icons  

how mi Abuela  me contó.  

Icons  

to rebuild,  

to introduce  

something  

to my Children.  

To reveal 

something  

to my Generation,  to the Generation  of my Grandson. 

To have  

a Puerto Rico 

that  

I’ve never seen.

Un Puerto Rico  

de  

Imaginación.  

Un Puerto Rico  

who 

believes 

tomorrow  

será mejor. 

Un Puerto Rico  

who 

creates 

from here 

Su Libertad.  

My Freedom 

is  

Your Freedom.  

My Fraternity 

is 

Your Fraternity.  

My Equality  

is 

Your Equality.  

A Free 

Puerto Rico 

as 

Washington and Jefferson dreamt 

for having  

Your America. 

Land of Opportunity    

but  

Division.  

Poverty.  

Hunger. 

A Land 

forever  

Free and  

Ascended 

how  

My Paradise 

Island  

is 

and  

America 

Doesn’t  

Want. 

“Sharpening with Guaguancó  Sharpening with Guaguancó Alcapurria como yo.  

Alcapurria como yo.  

Alcapurria como yo.  

With the Salsa 

I’m coming on.  

With the Salsa 

I’m coming on  

With the Salsa 

I’m coming on  

Alcapurria como yo.  

Alcapurria como yo.  

Alcapurria como yo  

Transformando el guaguancó.  

Transformando el guaguancó.  Transformando el  guaguancó."

Carlos Manuel Rivera is a native Puerto Rican artist living in New York City. In his performance works, he combines poetry, acting, and visual art installation. For the last 14 years, he has been a Full Professor of Spanish at Bronx Community College, City University of New York. He won First Prize in the 2013 International Contest of the Puerto Rican Institute of Culture in the Essay category with the book So we don’t forget: Essays of interpretation of Puerto Rican marginal theater. Among his published books are: Popular Theater: The New Poor Theater of America by Pedro Santaliz (Gestos, 2005); Magical Non-Senses (Orbis Press, 2003); the recording of a CD of Spoken Words ASÍ MI NATION (2010); and Bululu. Perfume and Poison (Emerging Education, 2020).